|  
                    
                      
                         
                          |  | Project 
                            "Patch": Planned fixes |  |  | 
               
                | Better program change handling Done!
 | Possible to use program change messages 
                  to select new tone patches for each MIDI channel used in a performance 
                  patch. | 
               
                | MIDI bank select Done!
 | Works like a dream! | 
               
                | Tone mode CC controlDone!
 | Continuous controllers for each tone edit 
                  parameter. Makes it much easier to make an editor, but takes 
                  a lot of CCs though (59!)... | 
               
                | Performance mode CC controlDone!
 | Extension to the CC control to enable controlling 
                  tone edit parameters while in performance mode also - independently 
                  for each part! A bit tricky since there is really only one tone 
                  edit buffer, but now it's finally in place! | 
               
                | Smarter SysEx dump handling Done!
 | The MS6 can now accept single tone/performance 
                  dumps, and now also supports dump requests for a single tone/performance 
                  or all tones/performances. | 
               
                | Edit buffer access via SysExDone!
 | It is now possible to just update the performance 
                  / tone edit buffer via SysEx (also works for each part in performance 
                  mode). Very useful when e.g. auditioning patches from a computer-based 
                  editor, since no RAM patches need to be overwritten. Also support 
                  for requesting the performance edit buffer (in performance mode) 
                  or tone edit buffer (in tone mode). | 
               
                | More DCO shapesDone!
 | Implemented three extra shape settings, 
                  both for DCO A and B: off, pulse + triangle, and pulse + sawtooth. 
                  So now using the filter only is possible, as is using the pulse 
                  as a sub-oscillator! | 
               
                | Slightly increased bottom rangeDone!
 | The timers cannot generate frequencies below 
                  122.1 Hz. C0 is 130.8 Hz, which is quite close to this limit. 
                  However, I've managed to remove the annoying partial drop-out 
                  at C0 (which makes the sound pulsate). | 
               
                | PortamentoDone!
 | 0,015s - 18,3s (constant time) or 0,44 - 
                  400 semitones/s (constant rate), full-time or fingered (mono 
                  mode only, see below). | 
               
                | Mono modeDone!
 | Settable per-part. Can be set to always 
                  retrigger the envelopes, or to skip this when playing legato. | 
               
                |  |